Star Trek
INTRODUCTION: Television programs provide one of the most popular forms of
entertainment today. From The Simpsons to The X-Files, television shows amuse,
shock, sadden, and excite us by turns. Television does more, however, than
simply entertain. Television shows are cultural products, and as such, they
reflect, reinforce, and challenge cultural ideas. It acts as a mirror and a
model for society. In examining and understanding those cultural messages and
popular appeal of certain television shows, we should understand something about
the society that has created and sustained them. Arguably, Star Trek is one of
the most popular television shows ever produced. Today Star Trek includes four
television series and nine motion pictures . Like some of the other television
shows, Star Trek has been subject to the vagaries of producers and writers so it
is difficult to generalize about the intent of the authors of Star Trek or the
viewpoint of the readers. Yet, it is also clear that Star Trek has at various
times been reflective, informative, and critical about the culture -American
culture- that produced it. Star Trek has addressed a wide variety of issues,
including war, capitalism, individualism, technology, race, gender, prejudice,
religion, etc. The list can be extended to many other issues but here I will
focus on race, gender, prejudice and religion only. As portrayed on television
such issues are representations of socio-cultural perspectives on broad human
concerns. For taking a closer look to those issues, in the continuing parts I
will give some examples from a number of Star Trek episodes that had written in
different times.
RELIGION: The portrayal and treatment of religion in the Star
Trek television series and films provides an important cultural commentary on
the place of religion in society. Although no single coherent approach to
religion appears in Star Trek, the series is nevertheless variously reflective
of, informed by, and critical of societal attitudes toward religion. The
portrayal and treatment of religion in much of the Star Trek franchise is
negative: religion is often presented as superstitious, outdated, and
irrational. An underlying and consistent theme of the Star Trek series is the
presentation of rational scientific humanism as an alternative to religious
faith. A newer theme, notably found in episodes from the Deep Space Nine and the
Voyager series, explores the potentially positive value of religion. Since the
viability and popularity of Star Trek have spanned such a long period of time,
it is inevitable that the series would begin to diverge from original
assumptions in response to changing cultural attitudes. The recent potentially
positive portrayal of religion within Star Trek both reflects and reinforces a
particular cultural change. Gene Roddenberry was Star Trek’s creator and
executive producer. While he was alive and continued to have a direct hand in
the production of the show, religion as a theme was rarely treated. When it was
-I believe- the portrayal of religion reflected Roddenberry’s own distrust of an
antipathy toward organized religion. In Star Trek, organized religion tends to
be portrayed as the product of a pre-rational age, antithetical to science and
reason, and God is depicted as a category mistake -an advanced alien form- from
mistaken for a god.