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Artistotle





Plato contends that forms do not exist in the particular objects, which partake in the forms. However, that substance of a particular thing cannot be separated from the thing itself. Further, aside from the jargon of participation, Plato does not explain the relation between forms and particular things. In reality, it is merely metaphorical to describe the forms as patterns of things; for, what is a genus to one object is a species to a higher class, the same idea will have to be both a form and a particular thing at the same time. Finally, on Plato's account of the forms, we must imagine an intermediate link between the form and the particular object, and so on ad infinitum: there must always be a third man between the individual man and the form of man. For Aristotle, the form is not something outside the object, but rather in the varied phenomena of sense. Real substance is not the abstract form, but rather the concrete individual thing. In Metaphysics, it frequently inclines towards realism. We are also struck by the apparent contradiction that claims science deals with universal concepts, and substance is declared to be an individual. In any case, substance is a merging of matter into form. Aristotle uses the term matter in four overlapping senses. First, it is the underlying structure of changes, particularly changes of growth and of decay. Secondly, it is the potential, which has implicitly the capacity to develop into reality. Thirdly, it is without specific qualities and so is indeterminate and contingent. Fourthly, it is identical with form when it takes on a form in its actualized and final phase. The development of potentiality to actuality is one of the most important aspects of Aristotle's philosophy. It was intended to solve the difficulties, which earlier thinkers had raised with reference to the beginnings of existence and the relations of the one and many. The actual vs. potential state of things is explained in terms of the causes, which act, on things. There are four causes: 1. Material cause, or the elements out of which an object is created; 2. Efficient cause, or the means by which it is created; 3. Formal cause, or the expression of what it is; 4.



 Final cause, or the end for which it is. Take, for example a gold statue. Its material cause is the gold itself. Its efficient cause is the sculptor, insofar has he or she forces the gold into shape. The formal cause is the idea of the completed statue. The final cause is the idea of the statue as it prompts the sculptor to act on the gold. The final cause tends to be the same as the formal cause, and both of these can be subsumed by the efficient cause. Of the four, it is the formal and final which is the most important, and which most truly gives the explanation of an object. The final end or purpose of a thing is realized in the full perfection of the object itself, not in our conception of it. Final cause is thus internal to the nature of the object itself, and not something we subjectively impose on it. Aristotle had many ideas that brought good and bad results. We appreciate his life, writing, and teachings and strive to become such a great thinker as he was. He was not concerned with how others viewed him as a person. Aristotle has influenced many philosophers way of thinking today. Also he did not let other ideas stop him from achieving his thirst for his code of ethics.

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